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David Foster Wallace was born on 21 February, 1962 in Ithaca, New York, United States, is an American fiction writer and essayist. Discover David Foster Wallace's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 46 years old?

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David Foster Wallace Height, Weight & Measurements

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David Foster Wallace Net Worth

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Timeline

I was reading [Infinite Jest] when I was in rehab. There was no one there. It was me and my nurses, who’d come in and check on me, and then Angela [the protagonist of the song], miles away. I was surrounded by no one, and the book was just open on the front page, as most copies of Infinite Jest are ..... nobody reads [Infinite Jest] all the way! Everyone our age has got a battered, quarter-read copy of Infinite Jest.

In January 2017 the International David Foster Wallace Society and the Journal of David Foster Wallace Studies were launched.

The 2015 film The End of the Tour is based on conversations David Lipsky had with Wallace, transcribed in Although of Course You End Up Becoming Yourself (2010). Jason Segel played Wallace, and Jesse Eisenberg Lipsky. The film won an Audience Award for Best Narrative Feature at the Sarasota Film Festival, and Segel was nominated for the Independent Spirit Award for Best Male Lead.

The first annual David Foster Wallace Conference was hosted by the Illinois State University Department of English in May 2014; the second was held in May 2015.

David Foster Wallace was born in Ithaca, New York, to Sally Jean Wallace (née  Foster) and James Donald Wallace, and was raised in Champaign-Urbana, Illinois along with his younger sister, Amy Wallace-Havens. From fourth grade, Wallace lived with his family in Urbana, where he attended Yankee Ridge Elementary School and Urbana High School. His father was a philosophy professor at the University of Illinois at Urbana–Champaign. His mother was an English professor at Parkland College, a community college in Champaign, which recognized her work with a "Professor of the Year" award in 1996.

The 19th episode of the 23rd season of The Simpsons, "A Totally Fun Thing That Bart Will Never Do Again" (2012), is loosely based on Wallace's essay "Shipping Out" from his 1997 collection of essays A Supposedly Fun Thing I'll Never Do Again. The Simpson family takes a cruise, and Wallace appears in the background of a scene, wearing a tuxedo T-shirt while eating in the ship's dining room; Wallace recounted having worn such a T-shirt "at formal suppers".

In March 2009, Little, Brown and Company announced that it would publish the manuscript of an unfinished novel, The Pale King, that Wallace had been working on before his death. Pietsch pieced the novel together from pages and notes Wallace left behind. Several excerpts were published in The New Yorker and other magazines. The Pale King was published on April 15, 2011, and received generally positive reviews. Michiko Kakutani of the New York Times wrote that The Pale King "showcases [Wallace's] embrace of discontinuity; his fascination with both the meta and the microscopic, postmodern pyrotechnics and old-fashioned storytelling; and his ongoing interest in contemporary America’s obsession with self-gratification and entertainment." It was also nominated for the Pulitzer Prize.

Since 2011 Loyola University New Orleans has offered English seminar courses on Wallace. Similar courses are also taught at Harvard University.

Brief Interviews was also adapted by director Marc Caellas as a play, Brief Interviews with Hideous Writers, which premiered at Fundación Tomás Eloy Martinez in Buenos Aires on November 4, 2011.

"Good Old Neon", from Oblivion: Stories, was adapted and performed by Ian Forester at the 2011 Hollywood Fringe Festival, produced by the Los Angeles independent theater company Needtheater.

In March 2010 it was announced that Wallace's personal papers and archives—drafts of books, stories, essays, poems, letters, and research, including the handwritten notes for Infinite Jest—had been purchased by the University of Texas at Austin. They now reside at that university's Harry Ransom Center.

A feature-length film adaptation of Brief Interviews with Hideous Men, directed by John Krasinski with an ensemble cast, was released in 2009 and premiered at the Sundance Film Festival.

Wallace's father said that David had suffered from major depressive disorder for more than 20 years and that antidepressant medication had allowed him to be productive. Wallace experienced severe side effects from the medication and in June 2007 stopped taking phenelzine, his primary antidepressant drug, on his doctor's advice. His depression recurred, and he tried other treatments, including electroconvulsive therapy. Eventually he went back on phenelzine but found it ineffective. On September 12, 2008, at age 46, Wallace wrote a two-page suicide note, arranged part of the manuscript for The Pale King, and hanged himself from a rafter of his house.

Memorial gatherings were held at Pomona College, Amherst College, the University of Arizona, Illinois State University, and on October 23, 2008, at New York University (NYU). The eulogists at NYU included his sister, Amy Wallace-Havens; his literary agent, Bonnie Nadell; Gerry Howard, editor of his first two books; Colin Harrison, an editor at Harper's Magazine; Michael Pietsch, editor of Infinite Jest and later works; Deborah Treisman, fiction editor at The New Yorker magazine; and the writers Don DeLillo, Zadie Smith, George Saunders, Mark Costello, Donald Antrim, and Jonathan Franzen.

Wallace delivered the commencement address to the 2005 graduating class at Kenyon College. The speech was published as a book, This Is Water, in 2009. In May 2013 parts of the speech were used in a popular online video, also titled "This Is Water".

In 2002, Wallace met the painter Karen L. Green, whom he married on December 27, 2004.

In 2002, Wallace moved to Claremont, California, to become the first Roy E. Disney Professor of Creative Writing and Professor of English at Pomona College. He taught one or two undergraduate courses per semester and focused on writing.

Wallace covered Senator John McCain's 2000 presidential campaign and the September 11 attacks for Rolling Stone; cruise ships (in what became the title essay of his first nonfiction book), state fairs, and tornadoes for Harper's Magazine; the US Open tournament for Tennis magazine; the director David Lynch and the pornography industry for Premiere magazine; the tennis player Michael Joyce for Esquire; the movie-special-effects industry for Waterstone's magazine; conservative talk radio host John Ziegler for The Atlantic; and a Maine lobster festival for Gourmet magazine. He also reviewed books in several genres for the Los Angeles Times, The Washington Post, The New York Times, and The Philadelphia Inquirer. In the November 2007 issue of The Atlantic, which commemorated the magazine's 150th anniversary, Wallace was among the authors, artists, politicians and others who wrote short pieces on "the future of the American idea".

Twelve of the interviews from Brief Interviews with Hideous Men were adapted into a stage play in 2000, the first theatrical adaptation of Wallace's work. The play, Hideous Men, adapted and directed by Dylan McCullough, premiered at the New York International Fringe Festival in August 2000.

In 1997, Wallace received a MacArthur Fellowship, as well as the Aga Khan Prize for Fiction, awarded by editors of The Paris Review for one of the stories in Brief Interviews which had appeared in the magazine.

Wallace's fiction combines narrative modes and authorial voices that incorporate jargon and invented vocabulary, such as self-generated abbreviations and acronyms, long, multi-clause sentences, and an extensive use of explanatory endnotes and footnotes, as in Infinite Jest and the story "Octet" (collected in Brief Interviews with Hideous Men) and most of his non-fiction after 1996. In a 1997 interview on Charlie Rose, Wallace said that the notes were to disrupt the linear narrative, to reflect his perception of reality without jumbling the narrative structure, and that he could have jumbled the sentences "but then no one would read it".

Wallace wanted to progress beyond the irony and metafiction associated with postmodernism; in the essay "E Unibus Pluram: Television and U.S. Fiction" (1993), he proposed that television has an ironic influence on fiction, and urged literary authors to eschew TV's shallow rebelliousness: "I want to convince you that irony, poker-faced silence, and fear of ridicule are distinctive of those features of contemporary U.S. culture (of which cutting-edge fiction is a part) that enjoy any significant relation to the television whose weird, pretty hand has my generation by the throat. I'm going to argue that irony and ridicule are entertaining and effective, and that, at the same time, they are agents of a great despair and stasis in U.S. culture, and that, for aspiring fictionists, they pose terrifically vexing problems." Wallace used many forms of irony but tended to focus on individual persons' continued longing for earnest, unself-conscious experience and communication in a media-saturated society.

In 1991, Wallace began teaching literature as an adjunct professor at Emerson College in Boston. The next year, at the suggestion of colleague and supporter Steven Moore, Wallace obtained a position in the English department at Illinois State University. He had begun work on his second novel, Infinite Jest, in 1991, and submitted a draft to his editor in December 1993. After the publication of excerpts throughout 1995, the book was published in 1996.

In the early 1990s, Wallace was in a relationship with writer Mary Karr, who had split with her husband. Karr later described Wallace as obsessive about her and the relationship as volatile, with Wallace once throwing a coffee table at her and once forcing her out of a car, leaving her to walk home. She has complained that Wallace's biographer D. T. Max underreported Wallace's abuse. Of Max's account of their relationship, she tweeted, "that's about 2% of what happened. tried to buy a gun. kicked me. climbed up the side of my house at night. followed my son age 5 home from school. had to change my number twice, and he still got it. months and months it went on." Several scholars and writers noted that Max’s biography did, in fact, cover the abuse and did not ignore the allegations Karr later reiterated on Twitter.

Wallace struggled with depression, alcoholism, drug addiction, and suicidal tendencies, with recurrent psychiatric hospitalizations. In 1989, he spent four weeks at McLean Hospital—a psychiatric institute in Belmont, Massachusetts, affiliated with the Harvard Medical School—where he successfully completed a drug and alcohol detox program. He later said his time there changed his life.

By the time he graduated, with his honors thesis in English becoming the manuscript of his first novel, The Broom of the System (1987), Wallace had committed to being a writer. He told David Lipsky: "Writing [The Broom of the System], I felt like I was using ninety-seven percent of me, whereas philosophy was using fifty percent." Wallace completed a Master of Fine Arts degree in creative writing at the University of Arizona in 1987. He then moved to Massachusetts to attend graduate school in philosophy at Harvard University, but soon left the program.

The Broom of the System (1987) garnered national attention and critical praise. In The New York Times, Caryn James called it a "manic, human, flawed extravaganza … emerging straight from the excessive tradition of Stanley Elkin's The Franchiser, Thomas Pynchon's V., [and] John Irving's World According to Garp".

Wallace attended Amherst College, his father's alma mater, where he majored in English and philosophy and graduated summa cum laude in 1985. Among other extracurricular activities, he participated in glee club; his sister recalls that he "had a lovely singing voice". In studying philosophy, Wallace pursued modal logic and mathematics, and presented a senior thesis in philosophy and modal logic that was awarded the Gail Kennedy Memorial Prize and posthumously published as Fate, Time, and Language: An Essay on Free Will (2011).

The song "Surrounded by Heads and Bodies", from the album A Brief Inquiry into Online Relationships by The 1975, borrows its title from the opening line of Infinite Jest. Matty Healy, The 1975's lead singer, said in an interview with Pitchfork that he was inspired by the novel after reading it during a stint in rehab:

David Foster Wallace (February 21, 1962 – September 12, 2008) was an American author of novels, short stories and essays, as well as a university professor of English and creative writing. Wallace is widely known for his 1996 novel Infinite Jest, which Time magazine cited as one of the 100 best English-language novels from 1923 to 2005. His posthumous novel, The Pale King (2011), was a finalist for the Pulitzer Prize for Fiction in 2012.